Showing posts with label Friday Five. Show all posts
Showing posts with label Friday Five. Show all posts

Friday, March 27, 2009

Friday Five: Five Great Black Songs Hollywood Ruined



Those who create terrible Hollywood movies, especially bad romantic comedies and family comedies, are an unimaginative lot. Not only do they use the same actors and clichéd plots, they use the same songs in the films and in the trailers. Some of these songs are used ironically; some are used seriously. Some are usedfor montages; some just for trailers. Most of them are stopped by a "needle being dragged off the record" sound.

The songs below are undeniably great, but because I hear them so much in romantic comedy trailers, I associate them with Hollywood dreck and can no longer simply enjoy them the way I would like to. It's really kind of depressing.


1.) “I Feel Good (I Got You)”—James Brown:



2.) “Let’s Get It On”—Marvin Gaye:



3.) “I Want You Back”—Jackson 5:



4.) “Signed, Sealed, Delivered”—Stevie Wonder:



5.) “I Put a Spell on You”—Screamin Jay Hawkins:



Honorable mention:

“Superfreak”—Rick James

“Groove Me”—King Floyd

“Loving You”—Minnie Riperton


Does anyone else have this problem? What black songs has Hollywood ruined for you?

Sunday, January 18, 2009

The 5 Worst Black Sitcoms of All Time

Say what you will about exploitative 70s sitcoms (That’s My Mama, Good Times at its worst), but they definitely had their moments. The sitcoms I list below are so terrible, so offensive, they are in a class of their own. A few points before I get started:

* You’ll notice that all of the shows on my list are relatively new. I harbor no nostalgia for the bad black sitcoms of the past. It just so happens that I think that black pop culture (like all pop culture) has gotten progressively worse. If I had to make a list of the worst rap and R&B albums, most of them would have been released within the last 5 years.

* Speaking of rap, 3 of the 5 sitcoms were marketed to (stupid) hip hop fans. Hollywood had a horrendous record of representing black culture before hip hop existed; hip hop all but killed any chance for realistic depictions of young black people in sitcoms.

*Offensiveness was my main criteria. What I mean by "offensiveness" isn’t necessarily racial stereotypes, but the extent to which the shows insult the viewer’s intelligence with heavy-handed morals, nonsensical plots, and bad acting. That’s why I’d rather watch a real minstrel show like Amos ‘N’ Andy than some family-friendly-but-shitty “positive” black show like The Parent ‘Hood.

So, without further ado, I present to you the 5 worst black sitcoms of all time:


1. Homeboys in Outer Space


This abomination featured two of the crappiest black actors of the 90s: Darryl M. Bell (Ron from “A Different World”) and Flex (can anyone explain to me how Flex and Bill Bellamy keep getting work?). In their defense, the writers had a winking acknowledgement of the show’s own terribleness. Still, there’s no excuse for this.



2. The Parkers


The trials of two loud, obnoxious, stupid black women. Nothing could be salvaged from this colossal piece of shit. What does it say that most of the clips of it online feature white co-star Jenna Von Oy (Six from Blossom)…or the back side of her anyway?



3. Under One Roof


Three words: Flava Flav sitcom. The reality show is the perfect medium for Flav’s brand of coonery. The sitcom is just too much.



4. Method and Red



A fish-out-of water, ghetto negroes come to the wealthy suburbs sitcom. How original! How the mighty have fallen: 2 of the fiercest MCs of the 90s reduced to playing nouveau riche simpletons in this Fox trash. What happened to the classy station that aired Did We Land on the Moon?, Celebrity Boxing and Man vs. Beast?



5. House of Payne


Quite possibly the worst TV show ever. Perry fired four of his writers who tried to get union coverage. That’s appalling; if anything, they should have been fired because the dialogue resembles something a 13 year old would write. Every single character is a walking stereotype: a mammy figure, a crazy uncle, a crackhead, some thugs, and each of them has this…halting…way…of…speaking during dramatic moments. There is absolutely no awareness of tone, plot progression, or the basic conventions of storytelling. I have relatives who swear by Tyler Perry’s movies and plays but refuse to watch his TV show. That's a sign. TBS and Fox bought 100 episodes based strictly on Perry’s immense popularity and success, which means that the show will be running nonstop in syndication for years. Embrace it.

What other shows should be on the list?

Saturday, June 14, 2008

Friday Five: 5 Derogatory Terms for White People That Black People Don't Really Use




When rumors of a video showing Michelle Obama using the term "whitey" surfaced, my first thoughts were, "bullshit." My skepticism stems from the fact that, outside of George Jefferson, whose lines were written by white people, black people do not use the term "whitey." The only people who use "whitey" are corny, self-deprecating white liberals and dim-witted white conservatives who believe that black people blame whites for all of their problems. As a matter of fact, black people don't really use any of the derogatory for white people, probably because white privilege renders them ineffective. Thus, I present the subject of this week's Friday Five. The following five items are racial slurs against whites that black people don't actually use outside of Hollywood and talk radio.

1. Whitey

2. The Man

3. Honky

4. Mr. Charlie

5. White Devil



Any others?

Thursday, May 1, 2008

White History Month: Five Indisputably White Movies




I know that White History Month has passed, and I wanted to get this one as a Friday Five, but I wasn't able to (please, no CP Time jokes).

1.) Birth of a Nation

Most white folks abhor the racist stereotypes and plot of D.W. Griffith’s “masterpiece.” What makes this a White movie isn’t the racism, it’s the selective detachment of its fans: the ability to set aside their disdain for the film’s reprehensible content while appreciating its stylistic appeal and praising Griffith’s technical prowess. It’s not even a matter of the aggrieved being black. Leni Riefenstahl, though frequently condemned a “Nazi hag,” receives similar praise for her Nazi propaganda film Triumph of the Will. Remember that the next time an old white critic is talking about the moral and stylistic bankruptcy of all rap music.


2.) Gone With the Wind

The softer side of Birth of a Nation. Confederate apologist melodrama. Filled with rank stereotypes about happy darkies. What more could you want?


3.) Rocky

The ultimate white male fantasy. Its moral is that white people’s hard work and grit can allow them to triumph over physically gifted, but undisciplined, flashy, loudmouthed black people. This is still played out in every major sport today. Peep the dominant narrative of the recent Floyd Mayweather/Ricky Hatton fight. Hoosiers also fits into this category.


4.) Forrest Gump

This one isn’t as obvious as Rocky. Forrest Gump, as some scholars have argued, struck a chord with so many, because its vision of History is America’s dominant vision of History. Forrest lumbers blindy through the past (his present), not as an agent, but as a passive screen upon which History plays out. “Segregation? Vietnam? Who me? I had no part in that.” And, to prove that he wasn’t racist, Forrest's best friend was a dim-witted black Bama, who predictably died in Forrest’s arms (side note: Dave Chappelle, who worked with Hanks in You’ve Got Mail, turned down the role of Bubba because it was offensive and stereotypical).


5.) Grease

Contains two of White people’s favorite things: 1950s nostalgia (no black people) and jazz hands.

Friday, April 18, 2008

Friday Five: 5 (W)hite Inventions

Your choices are great, Chauncey, but they are all (w)hite inventions. I would like to highlight some (W)hite inventions:

1. Nuclear weapons
Those White people who believe that our “sacred Western Civilization” is under attack love nukes. Possessing nukes is a kind of White entry club--it’s shorthand for power and modernity. Any time a nation of swarthy, savage hordes has a disagreement, the “Nuke Said Country” t shirts and bumper stickers surface. Also, fear of brown and/or Muslim people (India, Pakistan, North Korea, Iraq, Iran) possessing nukes drives modern American foreign policy. Can you imagine what would happen if a predominantly black country tried to build a nuclear program?


2. War Crimes Tribunals
Nothing makes White people feel better than punishing evildoers. Whiteness allows them to define what people are designated as war criminals, and which acts are designated as war crimes. While there can be white victims of white criminals, and nonwhite victims of nonwhite criminals, never will White people be held accountable for war crimes committed against people of color.


3./4.White flight/Gentrification
What ingenuity White people have. Not only do White people get away from black people by fleeing from them, they get away from black people by fleeing toward them (and driving them out) as well.


But there’s one White invention that underlies the preceding ones and dwarfs all others:


5. White supremacy
White supremacy is the power to define what’s normal; the power to frame current debate; the power to forge history: the power to conveniently remember or forget; the power to make other people give public accounts to satiate White fears. White supremacy is elegant, self-perpetuating (and self-denying)--just a masterful work of social engineering. For my money, no form of ideological domination can fuck with White supremacy--not nobility/class, not gender, not even religion.

Instead of fighting White Supremacy, people who are neither black nor white, without fail aspire to Whiteness and by extension White Supremacy (and why wouldn’t they? The benefits are too great). Even if they aren’t accepted into the club of Whiteness; at least they aren’t black.

And, as many of us know, a whole lot of Black people accept White Supremacy too.

Friday, April 4, 2008

Friday Five: 5 “American” terms that are code for “white”




I know that we said that we are reserving Wednesdays to post on White History Month, but I just couldn't resist. Like most black people, I am very aware of race and language in popular culture. To kick of White History Month, I have decided to celebrate one of white people's rich cultural traditions, namely, white language. I've compiled a list of five terms that use “America” but are actually code for “white people.”

1.) All-American

Any time this word is used as an adjective and it isn’t in the context of high school or college sports, you can rest assured that it’s describing a white person.

e.g. All-American girl, All-American boy, All-American family.


2.) America’s sweetheart

While it is supposed to signal beauty and innocence, it is reserved for young white women.

e.g. “Oh, Jennifer Aniston, we love you! You truly are America’s sweetheart.”


3.) Middle America

This and its cousin “The Heartland” (which brings to mind Nazi Vaterland), rests upon the idealization of such noble “middle American values” as maintaining peaceful towns, promoting family values, and educating children. These pathologies are not limited to white people or those in the Midwest, of course, but whiteness as ideological, practical purity is definitely a subtext of the term “Middle America.”


4.) Red-blooded American male

This one is supposed to signal fierce heterosexuality and manliness, but it almost always signals popular straight white male desire.

e.g. “What red-blooded American male doesn’t find the Olson Twins hot?” Uh, maybe ones who aren’t into the stick figure junkie troll look?


5.) Americana

I have a handful of rules about cultural critics: never trust one who 1) attaches the prefix “post” to musical genres; 2) romanticizes “the golden age” of anything, or 3) uses the word “Americana” with a straight face. Technically, jazz falls under the Americana rubric, but it’s usually the toothless, bastardized forms performed by inoffensive white artists. It is Bob Costas’ bullshit about the purity of baseball before it was fully integrated. It is bland, suburban-approved art. But “Americana” is at root, a product of condescending pseudo-intellectuals who try to advertise their appreciation of common “folk art” (sound familiar?)


Bonus: U.S.A.! (chanted)

If you hear white people chanting “U.S.A.” and you’re not at a sporting event, you are assed out!

Friday, February 8, 2008

Friday Five: 5 Overlooked Expressions of Victimology

In light of yesterday’s Victimology Blues post, this week’s Friday Five features expressions of victimology that tend to come from the relatively privileged. Since mainstream media accuse only minorities and women of “playing the victim,” the following statements are never linked to victim mentality:


1.) White people are being denied college admission and work promotions because Affirmative Action rewards mediocre minorities in order to promote diversity.


2.) Immigrants are taking all of the jobs that rightfully belong to Americans like me.


3.) Hollywood and New York cultural elites are forcing the homosexual lifestyle on our kids.


4.) When a woman accuses a man of domestic violence or rape, law enforcement and the courts are biased against the man.


5.) The secular left and the Jews are persecuting Christians by trying to remove Jesus from our government and culture.




Friday, January 25, 2008

Friday Five: How do you spell it?--5 “black” terms with indeterminate spellings

Students and purveyors of negro language often come across terms that they hear on a regular basis, but rarely write or see in print. I’ve seen such words spelled several different ways, and I always have trouble translating them into writing. I present the pronunciation of 5 such terms below:

1.) sə-'dĭt-ē

2.) 'bü -zhē

3.) 'ĭg-nĭnt

4.) nĭm

5.) ô 'sʊk-ē 'sʊk-ē


I invite everyone to offer their best guesses about how any of these five is spelled…and feel free to offer other relevant words/pronunciations. For your convenience, I’ve included a handy pronunciation key. Cut and paste away!:


\ ă \ as a in pat
\ ā \ as a in ace
\ ä \ as a in father
\ au \ as ou in out
\ b \ as in baby
\ ch \ as ch in chin
\ d \ as d in did
\ ĕ \ as e in bet
\ ē \ as ea in easy
\ f \ as f in fifty
\ g \ as g in go
\ h \ as h in hat
\ ĭ \ as i in hit
\ ī \ as i in ice
\ j \ as j in job
\ k \ as k in kin
\ l \ as l in lily
\ m \ as m in mom
\ n \ as n in own
\ ng \ as ng in sing
\ ō \ as o in no
\ ô \ as aw in law
\ oi \ as oy in boy
\ p \ as p in pop
\ r \ as r in red
\ s \ as s in yes
\ sh \ as sh in shy
\ t \ as t in tie
\ th \ as th in thin
\ th \ as th in the
\ ə\ as u in cut
\ ü \ as oo in loot
\ ʊ \ as oo in foot
\ ûr \ as ur in fur
\ v \ as v in vivid
\ w \ as w in away
\ y \ as y in yet
\ z \ as z in zone
\ zh \ as si in vision

Friday, January 18, 2008

Friday Five: 5 stereotypes that whites and blacks share about each other

As I stated in response to Zora, not only was Toni Morrison’s “Bill Clinton is the first black president” comment not racist, it was aggressively anti-racist in that it was meant to underscore the inherent ridiculousness of racial stereotypes. I was extremely disappointed (though not surprised) when pundits and cultural critics in the mainstream media tripped over one another to condemn Morrison’s “racism.” If they’d only read Morrison’s short story “Recitatif,” they’d understand that Morrison would never condone essentialist racial stereotypes. The story follows the lives of two women—one white, one black. From childhood to adulthood, the women harbor racial stereotypes about each other, but Morrison uses ambiguous language and signals, so it is never totally clear which woman is white and which is black. “Recititaf” draws its force from one of the cruel (yet hilarious) jokes of American race relations: due to our historical and cultural proximity, black people and white people have many of the same stereotypes about each other. To be fair, these stereotypes apply to all groups that position themselves opposite another, but as I’m most familiar with black-white relations, that will be my focus.


1.) They stink

…as in, their bodies smell funny. “White people smell like wet dog,” “white people’s hair smells like wet dog,” “white women’s diggum smacks smell like wet dog.” Clearly, wet dog smell figures prominently in black stereotypes about white people’s odor. And any casual perusal of white supremacist literature and music will turn up assertions of black people’s supposed stink. Cooler heads have suggested that argue that genes, diet, cultural preferences for hair and body products can account for different racial odors. I can’t say that I’ve noticed, but then again, I don’t go around sniffing folks.


2.) They are sexual deviants

Many white people believe that black women are promiscuous and have a primal sexual energy (signaled by the hypnotic movement of black women’s hips and asses on the dance floor). Many black people say that white women are nasty and loose. Black men, in particular often brag about the relative ease with which they can bed or turn out white women. White folks (and black folks too) have bought into the idea that black men are sexually potent and promiscuous. Black people often say that white men are into “freaky shit” (s and m, interracial cuckolding, bisexuality). Nowadays, black men are getting some of that with the overblown D.L. panic, but the “freaky” stereotype is still relatively rare for them.


3.) They have terrible taste

…in music/movies/books/clothes/food/comedy/beauty, etc. Black people like Tyler Perry plays and movies, crappy stand up comics, lowbrow rap and derivative R and B, gross, greasy fast food, and tacky, bright colored clothes. White people like “Friends,” crappy stand up comics, unlistenable rock and country music, bland food (or sometimes “exotic” cuisines), and lame clothes. What makes this one an interesting stereotype is that it often goes beyond generalizations about cultural preferences. This stereotype tends to bolster the idea of differing racial aesthetic capacities. The white vs. black “tastes” typically break down along the binaries of affect vs. authenticity, formal training vs. instinct, script vs. improv, craft vs. style…in other words, (white) mind vs. (black) body or (black) soul.


4.) They don’t discipline their kids

Without this stereotype, 95% of black hack comedians wouldn’t have material. According to popular stereotypes spread among black people, white kids can curse, disrespect, and hit their parents, all without being punished. White people, on the other hand, look at unruly, vulgar black kids in public space like malls, schools, public transportation, and think that black kids are generally out of control due to absentee parenting or disrespectful black culture. There’s no shortage of asshole kids who have little respect for others’ property or public space, but racial tunnel vision makes us see only what confirms our prejudices. When someone has destroyed or defaced public property in an interracial neighborhood, many white people just assume that black kids did it; most black people probably think that drunken white fratboys did it.


5.) They are untrustworthy

I’ve come across quite a few old black people who tell me that white people are shady backstabbers, not by nature, but certainly by having been raised in a culture of white supremacy. As for white perceptions of black dishonesty, I will offer my first hand experiences. Occasionally, I’ve had to duck out of sporting events, museum visits, and symphony concerts at the last minute. Rather than waste time trying to sell the tickets outside of the venues, I’ve opted to give them to the first taker. But since I’m black, especially a black man, white people refuse to take the free tickets from me. One might argue that white people aren’t responding to my blackness; they’re responding to my suspicious behavior of giving away free stuff. That’s somewhat understandable, but then why do I never have issues giving them away to the first black person who shows up?


Can you all think of others?

Friday, December 14, 2007

Friday Five: 5 black male hairstyles and what they say about those who wear them

This Friday Five was inspired by Billy Sunday’s classic “Guide to Black Women’s Hair.”

You know the old adage—women assess a man’s status by examining his shoes? That bit of advice isn’t as useful as it used to be. Grad school has made me broke as a joke, yet I own pairs of Gucci and Prada shoes (they were gifts); a guy in baby blue gators once begged me for money on the street; and I know a few guys who are pulling down six figures, but wear busted Pro Keds. Plus, the popularity of throwback kicks has leveled the field, so it’s more difficult than ever to gauge a man’s personality and life chances by looking at what he wears on his feet. Thus, many women have shifted their focus from toe to head. As a public service to the few black women who don’t already know this stuff, I will relay what I’ve learned about what certain hairstyles reveal about the black men who rock them. This knowledge comes from observing brothers 1st hand as well as from “conversating” with black women.

1.) Box


Look, I understand that our African brothers and American negroes from age 45 on tend to be a little behind fashion-wise, so I cut them a little slack. But if you are a black man in America and you are relatively young, there’s absolutely no excuse to have a box.

Says:
a. I am square…literally;
b. I do not know many young black people;
c. I do not date young black women (or, more likely, they don’t date me).


2.) Curl

Here’s my question: Do chefs with jheri curls need extra thick hats to prevent the paper from becoming transparent, disintegrating, and catching on fire?

Says:
a. I have a weak sense of smell;
b. I own several extra pillowcases.



3. Shag



Ah, the Shag(adelic). Though the shag and the mullet are brothers from another mother, the former doesn’t quite have the ironic appeal for black people as the latter has for white folks. But the shag is an enduring negro hairstyle that’ll be around 50 years from now. I’m not sure we can say the same for the mullet.

Says:
a. I can’t stand to have a cold neck;
b. I own all of the Commodores’ albums.



4.) Process

I can understand why black women spend a fortune to chemically scorch their scalps and go bald by 40. Few are happy to be nappy, and they need that promotion at work, right? What on earth would possess a man to fry his wig, though?

Says:
a. I am somewhat effeminate;
b. I will try to sell my woman to my friends before I get a job.



5.) Unkempt cornrows

Not a fan of cornrows, but if you’re gonna wear em, keep em tight.

Says:
a. my woman is busy servicing another guy;
b. my cell mate is busy servicing another guy.

Friday, December 7, 2007

Friday Five: 5 terms and phrases that respectable negroes have never used

Last week, I posted 5 phrases respectable negroes need to stop using; this week, I’m featuring 5 terms and phrases that respectable negroes have never used (sincerely). Just for fun, I’ve decided to illustrate all of them using rap songs.

1.) Conversate
I thank EbonyJet for the suggestion, but I wrote this one years ago. My problem with “conversate,” aside from the obvious, is that, if people didn’t try to put on airs, it would never leave their mouths. Think about it. You only hear “conversate” when people are attempting to sound sophisticated, when they think the word “talk” needs to be classed up. Folks use it most often when trying to spit or receive game. So a word that’s intended to signal class signals exactly the opposite. Ever see some tacky soul decked out from head to toe in Louis Vuitton? “Conversate” is the word equivalent of that.


Say it aint so, Biggie!


2.) Chinky eyes
Every time I hear some ign’ant ass fool say this, I just have to shake my head. This is bad on so many levels. First, there’s the silly racialized fetishization of the “exotic” Asian. Then there’s that little thing about it containing A RACIAL SLUR! Imagine if Angelina Jolie were to answer a question about her lips, “I used to hate them when I was a kid, but as I’ve gotten older, I’ve embraced the beauty of my Nigger Lips.”


3.) (Poor) white trash
Also problematic for many reasons. First, it ties white dysfunction to poverty. More important for our purposes, though, is that using the adjective “white” to describe the degraded “trash” amounts to a subtle reinforcement of white supremacy. The “white” is not just for the sake of specificity; the fact that you have to qualify trash implies that it is not usually white. Take a wild guess as to what it usually is.

Fuck Eminem and 8 Mile, by the way. Did white people really need another movie in which a field populated by black folks is unimportant unless a white person does it? Arent there like 12 Rocky movies?


4.) Stop snitching
In American culture at large, there has long been a stigma attached to snitching (look at the connotations of the words “snitch,” “tattletale,” “rat,” “stool pigeon,” “fink”); however, since we all know that hip hop music is responsible for every evil in America, we’re lucky that credible journalists have sought out knowledgeable people to discuss this “alarming new trend” that’s localized to black hip hop fans. But the absurdity of the media doesn’t excuse the “Stop Snitching” thing, which is the dumbest craze since people started treating the movie Scarface as an inspirational guide to life (ignore that insignificant part at the end where he’s swiss cheesed up). I’m sympathetic to those who choose not to go to the police out of fear of reprisal. We all know that certain neighborhoods don’t receive an adequate level of protection. But these fools act like “Stop Snitching” is some code of honor, when they just don’t want to get caught…and they will snitch on somebody in a second if it means avoiding some time behind bars. Please, start snitching on these clowns.

Et tu, Cube?

Bonus “Stop Snitching” song (only this one’s satirical):


5.) Baby Daddy / Baby Mama
Who dat ee-uh?

Friday, November 30, 2007

Friday Five: 5 phrases respectable negroes need to retire

New feature time. In "Friday Five," we will post a themed list of five things relevant to respectable negroes.

This week's theme is 5 phrases respectable negroes need to retire immediately.

1.) “Dr. King didn’t die so we could…”
Enough with this shit, people.


2.) “Oh, but when white people do it, it’s OK?”
The stock response from those who break their necks defending black criminality and irresponsibility…by noting that white people are also criminal and irresponsible. What a compelling defense!


3.) This is a “(modern day) lynching.”
James Byrd was lynched. Tookie Williams did not suffer a "legal lynching." "Uncle" Clarence Thomas was not subjected to a "high-tech lynching." Moreko Griggs, the black valedictorian who had to share the honor with a couple of white kids due to his school’s sketchy rule-changes, was not the victim of an "academic lynching." Referring to some minor offense as a lynching is insulting and highly disrespectful to actual lynching victims. Speaking of being lynched…


4.) “It’s just like Willie Lynch said...”
I don’t want to go into great detail about this because we plan to write pieces on black myths and conspiracy theories in the future. But I’m sick of hearing black folks bring up this fabricated, though masterful piece of victimology.


5.)“We use ‘nigger’ as a term of endearment among ourselves to remove the power from the word.
Nonsense. First of all, it's not only used as a term of endearment; many black folks use the word in a derogatory fashion, often to distinguish themselves (supposedly respectable) from classless, ignorant, degenerate black people. Second, you’d have to be an imbecile to argue that we have become any less sensitive to white people calling us “niggers.” While we're at it, please stop with this nigga/nigger foolishness--it's the same damn word! In most black and white Southern dialects, words that end in "er" are pronounced with an "a" ending. Can you name any other "er" word with a corresponding (though somehow completely different) "a" word? Gangster/gangsta? Nope. Give it up.