The Season 3 midseason finale of The Walking Dead was an exciting, well-crafted, and tension filled hour of programming. The much anticipated fan favorite character Tyreese, who happens to be African-American, was finally introduced...with trusty hammer in hand.
Rick and his party assaulted Woodbury in order to free Glenn and Maggie. The Governor's house of horrors was finally revealed to his lover Andrea. Michonne would seem to get a little bit of revenge--as compared to the full castration and various other amputations she suffered upon the Governor in The Walking Dead comic book--for his sentencing her to death several episodes prior.
The first obligation of popular culture is to entertain. By this measure, I would suggest that Made to Suffer was a splendid success. However, while we may choose to acknowledge how the politics of pleasure are not always neat, progressive, redeeming, or "positive," this does not mean that a given work of popular culture ought to be spared difficult questions about the ideological work it is doing, or the values which it represents and reinforces.
As I have written about on several occasions, The Walking Dead TV series is extremely problematic in terms of how it has negotiated the politics of race and representation. The show is also offering up a very conservative view of gender relations where The Walking Dead is ultimately an exercise in reinforcing how white masculine authority is natural, normal, and in the Age of Obama and the Great Recession, in many ways imperiled.
While The Walking Dead is set in a post-apocalyptic fictionalized present where zombies walk the Earth, like all popular culture, it is actually a mirror for our current social anxieties.