I wonder if the Republicans in Congress also enjoy playing Darkon?
You can't make this stuff up. In a headline straight out of the Onion, the Republicans in Congress apparently watched the movie Braveheart in order to get the testosterone all hot and bubbling before their vote to deny the American people much needed tax cuts and unemployment insurance for next year.
When I was a kid, my friends and I would pretend to be the main characters in movies such as Star Wars, Star Trek, Rambo, Terminator, Legend, Flash Gordon, or Red Dawn. It was great fun. While we had to improvise and find roles for black and brown people like me, somehow it all worked out.
To paraphrase Conan the Barbarian, those are the things that are best in life.
But, for all of the inspiration that those movies offered me, I never, for once, believed that they were real. Cinema Paradiso: I was playing a role and enjoying a moment of dreaming and detachment.
As they stall, delay, and ruin the holidays for millions of Americans, the Tea Party GOP have not learned that lesson. In a gross misunderstanding of the actual history mirrored by Braveheart, the Republican Party, a club of millionaires, has apparently taken to watching movies in order to get the courage to deny the unemployed the means to eat.
In this postmodern moment gone wrong, the Tea Party GOP are heroes; those dastardly folks who want to help the middle classes, in a time when the plutocrats have free reign, are enemies of "democracy" and "freedom."
I am a student of the politics of popular culture. As such, I always return to a foundational concept. In these conversations, "culture" matters. Culture resonates because it helps to create a sense of community, belonging, identity, membership, and affirmation for those who channel, reproduce, and participate in it.
To point, what does their choice of Braveheart as inspirational fare (and also the second rate, Heat wannabe movie, The Town), reveal about the Tea Party GOP?
I am also struck by the Tea Party GOP's borrowing of white ethnic identity in order to make their political points. Braveheart's Scots-Irish were the original White Trash in the United States who earned their "White" identity by owning black people as property. Doubling down, the Irish Southies, and Roxbury types in The Town, are a 19th and 20th century ideal-typical example of White Trash America.
In all, the Tea Party GOP's channeling of that type of Whiteness (as "authentic" American "New Ethnic" identity)--with its deep hostility to black and brown people--reveals a great deal about their mining of the politics of racial resentment in order to destroy Barack Obama's presidency.
The popular culture game is a fun one. The Tea Party GOP's love of Braveheart is misplaced because of their failure to understand what the text is offering them: ironically, Braveheart stands against the ugly politics of the The Tea Party GOP, and not in support of it.