Friday, July 17, 2009
An Exclusive Interview with Pat Buchanan On Judge Sotomayor, the Future of America, and the New Racism Against White Men
WARNNN: Hello Mr. Buchanan, it is a pleasure to finally meet you and we greatly appreciate your taking the time to sit down and chat with us.
Pat Buchanan: Of course, I have always enjoyed talking with members of the African American community, especially the black press. Oh, And I must complement you on the name of your website as one doesn't often hear the word "negro" that often anymore...it is comforting to know that it is still in use in some circles.
WARNNN: That is a surprise...thank you, I guess. Mr. Buchanan, with Judge Sotomayor's confirmation to the Supreme Court a relative certainty, what are your thoughts on the confirmation process and Judge Sotomayor more generally.
Pat Buchanan: As I am sure that you know, I have opposed her nomination from the beginning. She is an affirmative action candidate, unfit for this honor and distinction, and a fraud who has benefited from reverse racism her whole life--there is nothing she has accomplished without a handout at the expense of white men. In fact, she has benefited from being both a woman and a Latina. This type of bigotry is wholly unAmerican.
WARNNN: Strong words Mr. Buchanan. How would you respond to critics who would highlight her many years of judicial experience, her well-reasoned and meticulous legal decisions, and high praise from the American Bar Association, other judges, and colleagues, as reasons that she is imminently qualified for the highest court.
Pat Buchanan: Come on now! Let's be serious for a moment. The selection process which brought her this far was flawed in its foundations. President Obama, the reverse racist and political demagogue that he is, went out of his way to not select a white man for the Supreme Court. The fix was in from day one. Obama is a bigot who is determined to never see a white person do well in this country. It is his agenda. Ironic, considering that he is half-white.
WARNNN: Let me interject for a moment...
Pat Buchanan: No, hold on please. Do you really think that someone who read children's books in order to improve her diction is really worthy of being on the Court? And, she apparently met with her professors repeatedly to improve her writing while at Princeton. Sotomayor is a product of low expectations, guilty white liberals got her into Princeton over well qualified white kids who dreamed their whole lives that they would be in the Ivy League. She stole their rightful place, a place good, hardworking, white Americans had earned for them.
WARNNN: So the legacy admissions and "gentlemen C" students like George Bush and others who were grandfathered into places like Yale and Harvard are more deserving than someone who hustled to get there, and excelled when finally enrolled. There is something immoral about a young latina, or person of color being admitted to an elite university, while there is something correct and righteous about a privileged white student arriving there as a birthright? Is that what you want to say?
Pat Buchanan: You are twisting my words. Of course they belong their, America is a meritocracy and these rich white kids you mock--the prosperous Americans who drive this country forward--have every right to not be discriminated against. Plus, they have never received any handouts or help from programs like affirmative action so let's get that straight. Every step of her career has been because of affirmative action and reverse racism. I know for a fact that Sotomayor was given extra praise and stars on her papers in elementary school and pre-school at the expense of the white boys in her classes. Can you imagine how damaging that is to their self-esteem? When at Princeton, those guilty liberal professors fawned all over her and gave grades she didn't deserve. To boot, these same types of liberals even gave her a position on the law review later in her career, and engineered her graduating with honors from Princeton. Sotomayor's whole life trajectory has been at the expense of white men.
WARNNN: Returning to Sotomayor's hearing. How would you assess her performance during the confirmation? And how do you think the Senators did with their questioning.
Pat Buchanan: Sotomayor was unimpressive and dodged every question thrown at her--she was clearly out of her depth intellectually. The Democrats were predictable. Given that this is their nominee this was hardly surprising. I would like to commend Senators Sessions and Graham. They were courageous, absolutely honorable men. Sotomayor has no respect for the law, none at all. Her wise Latina comment demonstrates it. Plus, a judge is supposed to decide the law based not on feelings or emotions, but on reason and the facts. She plays identity politics and as Michael Steele said, God help any white man who comes before her in the court. Imagine, if a white man had made a similar comment? He would have been ridden out of town on a rail!
WARNNN: Well in fact, Senator Sessions has expressed sympathy for the KKK, called the NAACP a bunch of troublemakers and Communists, and once called a black attorney "boy." This didn't hurt his career did it?
Pat Buchanan: Stop dragging up the past it isn't relevant to this issue.
WARNNN: Strategically, and I want you to be critical and reflective, do you think that that the way that Senator Sessions tried to bully Sotomayor by repeatedly referencing the wise Latina comment, and how Senator Graham basically called her a "bitch" for lack of a better word will hurt the Republicans, or Senator Coburn's joke about Ricky Ricardo and the I Love Lucy Show was out of bounds? How will this play in the media?
Pat Buchanan: Republicans need to stop pandering to the mainstream media. We need to be honorable and stick to our convictions! There is a new Jim Crow in America and it is against the Frank Ricci's of the world, the New Haven 20, those good honest hardworking Joe Lunchpack, real Americans who are not getting a fair shake. These men have never had a leg up in any way in this country. They give and give and give, and now they have nothing left. It is absurd! The Republicans had better--as you are so fond of saying--speak truth to power on this issue. And we can't trust the media anyway. Just like Rush Limbaugh said about black quarterbacks, there is a vested interest in seeing minorities do well. Everyone knows it. The whole world has been invested in Judge Sotomayor doing well and they got their wish.
WARNNN: But, given your age and life experience, do you honestly believe that people, judges in particular, actually proceed from a basis where their own insight--or ability to empathize with other people--is not operative in their decisions?
Pat Buchanan: Frankly, look at the great men on the Supreme Court. They have never operated with any biases, prejudices, or most importantly the bigotry that Judge Sotomayor so cavalierly displays. The law is the law, and given what some of her colleagues have said about her she is histrionic and hyper-emotional. Sotomayor let's her identity influence her decision making. This is not the type of person we need on the high court.
WARNNN: So, the white men who passed laws such as Dredd Scott and Plessy v. Ferguson were proceeding from a neutral place? Their identities as privileged white men in an openly racist society didn't impact their decision making? To be direct, white men are simply...
Pat Buchanan: Normal, yes of course we are normal.
WARNNN: Can you repeat that?
Pat Buchanan: Normal, this is the white man's country and we should be proud of it. White men were the founding fathers, they wrote the constitution, they tamed the West, they were inventors and scientists and philosophers. European civilization is what made America great. White men should be proud of this fact. But, with identity politics and the rise of multiculturalism white men are made to feel ashamed as we are written out of history. These Sotomayors and others don't want to assimilate. Even her name and membership in such racist groups as La Raza smack of an unwillingness to enter the American mainstream. What about the great story where people come here, integrate, and lose all of that ethnic baggage. Geez, by now, Sotomayor if she were a real American interested in being in the mainstream of American society, would have renamed herself Jones or Smith, or something respectable like that.
WARNNN: For a moment, I thought you were going to start singing James Brown's song, "It's a Man's World."
Pat Buchanan: You may be tempted to dismiss this anger and hostility, but white men are not going to take this abuse any more and the Republican Party is missing a great opportunity by not standing up on this issue. Come on Chauncey, how can you not empathize with Frank Ricci, or the white students denied admission to the University of Michigan because of affirmative action, or those white policemen and firefighters who have only wanted to continue with the family business, a birthright of sorts, and had it taken away from them?
WARNNN: I think you are oversimplifying a set of complex issues. Moreover, you used the word empathy, so empathy is now okay?
Pat Buchanan: And, if you and other negro leaders were honest you would admit that Dr. King didn't die so that the Frank Ricci's of the world would be treated like this, absolutely not! The Civil Rights Movement was about our freedom too, don't ever forget that. White men have fought in wars, have marched for equal rights, served in Vietnam and Iraq and Korea, and made this country great for all sorts of people, we simply want our fair share.
WARNNN: You sound very impassioned. So you are saying that white men are hurting right now? That something is amiss?
Pat Buchanan: Damn right something is wrong and we are hurting. White men are the backbone of this country. Look at this semi-economic depression we are in, who is hurting the most? White men. While we are suffering who reaches out to us? Where is our affirmative action. Look at the grassroots activism out there, those wonderful tea parties of a few months back. Something is brewing in America and Obama better wake the hell up. Chauncey, white men are tired. We are tired of giving. We have given blacks welfare, housing programs, social security, child credits, all manner of set asides and entitlement programs, and what do we hardworking white men get? Nothing but resentment and demands. Black Americans have the highest standard of living of any blacks in the world, but they complain about slavery. Slavery brought you to the greatest country on Earth--and if America is so bad, why are Africans, the ones who sold your people into slavery, so desperate to come here?
WARNNN: I am rendered speechless by your honesty.
Pat Buchanan: White men have rights too. America was at its greatest point when we were the bright shining city on the hill that our most revered statesman Ronald Reagan alluded to in the 1980's. We need to get that America back again, and the Obama's and Sotomayor's of the world hate that America. White men need to wake up and stand up. We are angry and we aren't going to take it anymore!
WARNNN: That was powerful Pat, really powerful. We appreciate your candor and energy.
Pat Buchanan: Thank you, it was a pleasure.
Wednesday, July 15, 2009
The Black In America Part 2 Pathology Preamble Continues: Be Like Those "Good Africans" and You Too Will Achieve Greatness and Success
CNN continues to prime us with the preamble to its pathology parade that is Black In America Part 2. Today's installment, "Continental Divide Separates Africans, African-Americans" focuses on the differences between "Africans" and "African-Americans." This piece purports to provide some insight into the the ethnicization of Black America. Now, this isn't to say that there are not real differences between the various elements of the Black Diaspora and that these conversations need to occur. But, in much the same way that the model minority myth is used to position "Asians" against blacks and other minority groups, Africans are now the "good" blacks. Here, in comparison to black Americans, Africans are high-achieving, apolitical, well-behaved, not disruptive, and particularly appreciative of the opportunities America provides to its immigrants.
Gordon and I always argue about this, but I don't feel a particular kinship to Africa or to Africans (as my mother says "those people sold us into slavery!"). I am a proud Black American and have always found the imagined dreams of mother Africa to be so much semi-productive Afrocentric fantasy. Ultimately, we have so much of our own history to be proud of here--in particular our struggle to recuperate American democracy and culture--that I don't feel a need to look afar for inspiration or belonging.
Notice, I did not say ambivalence or hostility. Nor, do I assert that Africa should be separate from our study of the "Black Experience." I also would not suggest that the Black Freedom Struggle was/is not a story best told through a lens of international influence and cross-fertilization. Simply put, ethnicity matters among Black folks, even while race continues to be a trump card.
1. How alike or different are Black Americans and black Africans? How does ethnicity complicate our relationships? How do folks from the Caribbean fit into all of this?
2. What are the lessons of race in America that black immigrants from Africa are resistant to learning?
3. Should black immigrants to the United States be eligible for affirmative action programs designed to ameliorate the historical disadvantages afflicted upon black Americans in education and the labor market? Is the admission of black immigrants to colleges and universities through these programs a betrayal of their intent and design? Are black Americans, in particular young black men, being excluded from opportunities in higher education, because ethnic blacks are now over-represented at elite institutions such as Harvard?
4. For those of you in higher education: what are the dynamics on your campus between native born black Americans and those from Africa and the Caribbean? Is there tension, cooperation, or collaboration? Is there one black student organization or are there many? Does this hinder the progress of black students on your campus or does it improve the campus climate for students of color?
5. Second higher education related question: what is the worst example of manipulating the racial bureaucracy (as I like to call it) which you have witnessed? I have seen white South-Africans awarded scholarships intended for African-Americans. I have also seen white North Africans play the system for their own gain where upon arrival on campus they assimilate/disappear into an undifferentiated mass of White students.
1. N'daw emigrated from Dakar, Senegal, in 2001. She works in a hair-braiding salon and has met African-Americans who share her values of hard work and family, but in most cases, "we are raised differently, taught different values and held up to a different moral code."
2. If the Western media are doing Africans no favors, then the African media are also a disservice to African-Americans because it portrays them as criminals, some immigrants say. Sandi Litia, 19, a Piney Woods graduate from Limulunga, Zambia, said she was initially scared of African-Americans because the African media show them "wearing clothes like gangsters and killing each other." Nkosi concurred that African media "made it seem as if they were these aggressive people that did nothing constructive with their lives except occupy prison space."
3. Chinedu Ezeamuzie, 21, of Athens, Georgia, arrived in 2003. He had spent the majority of his life in Jabriya, Kuwait, and came to the U.S. to pursue his education.
The recent Georgia Tech graduate said he considers himself Nigerian because his parents -- both from the village of Uga -- instilled in their four children strong Nigerian values of family, community, spirituality and self-betterment. In Athens, Ezeamuzie found his ideals at odds with those who shared his skin color at Clarke Central High School, his first stint in a public school.On his first day, he donned khakis, a button-down dress shirt and nice leather shoes. He caught the African-Americans' attention upon stepping into the cafeteria, he said.
"They give me the look," he said. "Why is this guy dressed like the white folks, like the preppy guys?"
He found clothes akin to what he saw many African-Americans wearing --- baggy pants and an oversized T-shirt. He relaxed his British-trained tongue and tried out for the basketball team, the 6-foot-5 Ezeamuzie said.
Ezeamuzie recalled finding himself more confused by his experience with some African-Americans: Why were they so cliquish? Why did they mock students for being intelligent? Why were they homophobic and bent on using the n-word? Why did every conversation seem to involve drugs, girls or materialism?
"They kind of accepted me. They saw me a little differently, but I was thinking this is a very narrow mindset," Ezeamuzie said.
4. Ezeamuzie and other Africans say they feel African-Americans too often dwell on slavery and the racism that has persisted for more than a century since the Emancipation Proclamation."We have all been tortured," said iReporter Vera Ezimora, 24, a Nigerian student living in Baltimore, Maryland. "Now that we are free, holding on to the sins of white men who have long died and gone to meet their maker is more torture than anything we have suffered."
Tuesday, July 14, 2009
I have been trying to attentively watch the Sotomayor hearings, but they are (yawn...) quite a snooze fest. Hopefully, there will be some fireworks when aggrieved White man of the year Frank Ricci gives his testimony later in the week.
In keeping with my summer tradition of bringing you random discoveries from these Internets, here is an article from that most respected of beltway publications, Foreign Policy. The topic: the beef between Jay-Z and the Game as a treatise on statecraft; the balance of soft-power versus hard power; and the limits of American hegemony.
I am moved, yet remain undecided. Is this a genius piece of work or a slapdash analogy which is such a reach that it doesn't really merit comment?
Some choice excerpts from Jay-Z vs. the Game: Lessons for the American Primacy Debate--
"See, Jay-Z (Shawn Carter) is the closest thing to a hegemon which the rap world has known for a long time. He's #1 on the Forbes list of the top earning rappers. He has an unimpeachable reputation, both artistic and commercial, and has produced some of the all-time best (and best-selling) hip hop albums including standouts Reasonable Doubt, The Blueprint and the Black Album. He spent several successful years as the CEO of Def Jam Records before buying out his contract a few months ago to release his new album on his own label. And he's got Beyonce. Nobody, but nobody, in the hip hop world has his combination of hard power and soft power. If there be hegemony, then this is it. Heck, when he tried to retire after the Black Album, he found himself dragged back into the game (shades of America's inward turn during the Clinton years?)."
"But the limits on his ability to use this power recalls the debates about U.S. primacy. Should he use this power to its fullest extent, as neo-conservatives would advise, imposing his will to reshape the world, forcing others to adapt to his values and leadership? Or should he fear a backlash against the unilateral use of power..."
"The changes in Jay-Z's approach over the years suggest that he recognizes the realist and liberal logic... but is sorely tempted by the neo-conservative impulse. Back when he was younger, Jay-Z was a merciless, ruthless killer in the "beefs" which define hip hop politics. He never would have gotten to the top without that. But since then he's changed his style and has instead largely chosen to stand above the fray. As Jay-Z got older and more powerful, the marginal benefits of such battles declined and the costs increased even as the number of would-be rivals escalated. Just as the U.S. attracts resentment and rhetorical anti-Americanism simply by virtue of being on top, so did Jay-Z attract a disproportionate number of attackers. "I got beefs with like a hundred children" he bragged/complained on one track.."
"So what does Jay-Z do? If he hits back hard in public, the Game will gain in publicity even if he loses... the classic problem of a great power confronted by a smaller annoying challenger. And given his demonstrated skills and talent, and his track record against G-Unit, the Game may well score some points. At the least, it would bring Jay-Z down to his level -- bogging him down in an asymmetric war negating the hegemon's primary advantages. If Jay-Z tries to use his structural power to kill Game's career (block him from releasing albums or booking tour dates or appearing at the Grammy Awards), it could be seen as a wimpy and pathetic operation -- especially since it would be exposed on Twitter and the hip hop blogs."
"The Realist advice? His best hope is probably to sit back and let the Game self-destruct, something of which he's quite capable (he's already backing away from the hit on Beyonce) -- while working behind the scenes to maintain his own alliance structure and to prevent any defections over to the Game's camp."
Monday, July 13, 2009
In the 1980's, there was the Jesse Jackson effect. In the 1990's it seems that there is the Barack Obama effect.
My favorite excerpt:
"Some youngsters ran into Mr Fava’s store to taunt him. 'They was pulling down their pants, shouting, ’Kiss my black ass, because we got a black mayor’, swinging their things around and throwing stuff,' said Jennifer Green, 31, a black mother of 10."
This is democracy in full bloom my friends! From the mass mayhem of Jacksonian democracy and a bacchanal at the White House, to young black boys swinging their penises in the face of a (now) deposed white mayor, we have finally reached the promised land of American democracy. Let freedom ring! Good God almighty, let freedom ring!
Is this a happy story or is it a sad story? Does this community have any other options? Did any of you grow up in a small, rural community such as this? Are things really that bad? How many different Americas are there? Are we that dependent on the federal government and entitlement programs that bringing home the bacon is all that matters--or has ever mattered--in American politics? Am I a bad person for laughing uproariously at the thought of a bunch of black kids showing they ashy behinds to the former mayor of Alligator, Mississippi?
From the Telegraph UK:
In a shock result in Alligator (population 220), Tommie “Tomaso” Brown, 38, defeated Robert Fava, the mayor since 1979, owner of the general store and once his opponent’s boss, by 37 votes to 27.
Mr Brown’s surprise victory was a milestone for Alligator, which is named after the curving lake nearby rather than the alligators that once occupied it. Although the only three businesses in the shrinking, tumble-down town are run by whites, three-quarters of the population is now black.
"They wanted a black mayor,” said a philosophical Mr Fava, 71. “Another Obama - I think that’s what brought it on. I ran on ’30 years of dedicated service’ and he ran on ’Change’. He promised a swimming pool and a recreation centre, which he can’t do.
"He beat me by 10 votes because he had enough family folks to put him in. But we get along good. He used to work here at the store and there ain’t no problems between us. They were ready for a change and I was too - it’s a weight off my mind.”
Alligator, some 90 miles south of Memphis, was once a thriving town whose population swelled to more than 1,000. Its economic backbone was provided by European immigrants, especially Italians, who came to work on the plantations in the Deep South’s fertile Mississippi delta at the start of the 20th Century.
In the 1920s, the Yazoo and Mississippi Valley railroad ran eight trains a day that stopped at Alligator, dropping off and picking up salesmen who would gamble all day in the town’s Gibson Hotel, built in 1897.
Other visitors would arrive on boats that plied the Mississippi river from Memphis to New Orleans, transporting timber and grain as well as people. Blacks would play the blues along the town’s Front Street and labour in the fields but everything was run by the whites.
A yellowing newspaper cutting in Mr Fava’s store tells how Alligator once boasted “two schools, two churches, 16 brick store buildings, two blacksmith shops, two lumber yards, two doctors’ offices...and three modernly-equipped gins.”
The trains stopped in the 1950s and the hotel closed down around the same time and was demolished. Trailer homes now occupy the space where it once stood, one of them lived in by Mr Brown, who works as a cashier at the Fitzgeralds Casino in nearby Robinsonville.
Most of the old store fronts are boarded up and grass grows on the pavements. Vacant buildings have been broken into and vandalised. The alligators in the lake have also gone, chased out by beavers whose dams now have to be blown up by farmers because they cause fields to flood.
All that remains of the town’s once teeming commercial activity is Mr Fava’s Mary Ann’s Country Store, named after his wife; Gator’s grocery and diner owned by his younger brother Ronnie; and Bruno’s liquor and convenience store owned by his cousin Vito Sbravati.
Though some work in the casinos and on the Mississippi boats, most Alligator residents are farm workers, producing corn, beans, cotton and rice that is shipped the 350 miles down the river to New Orleans, from where it is exported.
Mr Brown was the first black man ever to stand for Mayor of Alligator and it took Mr Obama’s election to galvanise him into action. “Obama was a major influence on everybody,” he said, almost drowned out by the chirping of crickets in the sweltering afternoon heat. “He inspired me. I’m not going to take that from him.
"After 30 years, I didn’t think an African-American would be able to be mayor. I didn’t think the position was open to me. When he won, I decided that I knew the changes that needed to be made here and I thought that I could make those changes.
"If we don’t look after our youth, what do we have? The population is dying out and I want more people here. I want better living conditions.
I just want the people to be comfortable. Small towns like this depend on government funding and that’s what we’re seeking.
"I mingle with a lot of the young kids here in the community because if you deal with the people and their problems you understand more what’s going on if you’re out with them.”
The town’s facilities were substandard, he said, gesturing towards the humble town hall, where a “No Loitering” sign is nailed next to the door. “There isn’t even a phone or a fax machine in there. How can we communicate with the outside world and ask for things?" There was jubilation among the town’s blacks after Mr Brown’s victory.
“"Everybody out here was whooping and hollering and running and trying to flip,” said Patrina Brown, 25, the new mayor’s niece and newly elected as one of Alligator’s five aldermen.
Some youngsters ran into Mr Fava’s store to taunt him. “They was pulling down their pants, shouting, ’Kiss my black ass, because we got a black mayor’, swinging their things around and throwing stuff,” said Jennifer Green, 31, a black mother of 10.
Miss Green is dubious about whether Mr Brown, whose duties will include organising contract labour, overseeing the water and sewer systems and distributing any grant monies, can deliver. “He says there’s going to be lots of changes and everything with all these kids running around here.
"But he do the same thing they do, drinking beer and stuff. You’ve got to stay at home and study the town. Alligator is the kind of place where if you leave your door open, when you come back there ain’t nothing in your house.
"There’s guns. Kids knock on your door asking for a beer at three and four in the morning. I get 14-year-olds asking me if I want weed or whatever. They should have just left Mr Robert in there.
"Tomaso won’t do anything about any of it. He’s going to put his hand in the cookie jar just at the wrong time and get caught.”
Her boyfriend J. R. Cook, who is white, disagreed. “It was about time for Robert to get out. He was tired. And there ain’t no saints around here. They may be Christian people but when they get out of church it makes no difference.”
Mr Fava said that relations between blacks and white had been generally good, though crime had increased. “Alligator is a quiet town, except when we get that Voodoo and Rap music.
"There’s only been one murder in all the time I’ve been here. About five years ago, there was a white lady coming in with a black guy and they got into it and he shot her and tried to burn the body up. They got him and he’s doing time in the penitentiary.”
Mr Brown said: “Robert’s coming around and accepting the reality now. I used to work for him and his brother and mow his lawn and stuff. It was a shocker for him after 30 years.”
Up at Bruno’s, at the entrance to Alligator beside Route 61, known as the Blues Highway, dozens of the town’s blacks were spending their Saturday evening outside the store drinking beer and whisky and dancing to music blasting from a boom box. The scent of marijuana hung in the warm air.
Inside the store, Vito Sbravati, 69, and his wife Christine, 65, were doing a very brisk trade. Next to the door was a photograph of President George W. Bush and his wife Laura thanking the couple for their campaign contributions.
The town had changed beyond all recognition, they reflected, since Mr Sbravati’s grandfather had arrived at New York’s Ellis Island in 1905 before making the journey by sea to New Orleans and then up the Mississippi to Rosedale, 30 miles from Alligator.
Mr Sbravati shrugged that his cousin Robert had not been able to get his vote out but said he thought Mr Brown’s election would not make much difference. “I call him Tomaso Obama.”
The couple will be retiring in two weeks. “It’s not about colour,” said Mrs Sbravati, also a third generation Italian-American in Alligator whose mother, an Allegrezza, married Mr Fava’s Uncle Bruno.
"I don’t care if someone’s orange, as long as they’re honest. I don’t go by black and white. I go by right and wrong.”
Saturday, July 11, 2009
There is so much disdain for our personhood by the Right, that again, I am often speechless. And I use "personhood" with great emphasis because the idea of a black family in the White House is a symbolic shift that racists (be they latent, colorblind, or active) cannot accept.
I wonder if "fair and balanced" Fox News will cover this one?
Courtesy of The Vancouver Sun:
"A typical street whore." "A bunch of ghetto thugs." "Ghetto street trash." "Wonder when she will get her first abortion."
These are a small selection of some of the racially-charged comments posted to the conservative 'Free Republic' blog Thursday, aimed at U.S. President Barack Obama's 11-year-old daughter Malia after she was photographed wearing a t-shirt with a peace sign on the front.
The thread was accompanied by a photo of Michelle Obama speaking to Malia that featured the caption, "To entertain her daughter, Michelle Obama loves to make monkey sounds."
Though this may sound like the sort of thing one might read on an Aryan Nation or white power website, they actually appeared on what is commonly considered one of the prime online locations for U.S. Conservative grassroots political discussion and organizing - and for a short time, the comments seemed to have the okay of site administrators.
Moderators of the blog left the comments - and commenters - in place until a complaint was lodged by a writer doing research on the conservative movement, almost a full day later.
"Could you imagine what world leaders must be thinking seeing this kind of street trash and that we paid for this kind of street ghetto trash to go over there?" wrote one commenter.
"They make me sick .... The whole family... mammy, pappy, the free loadin' mammy-in-law, the misguided chillin', and especially 'lil cuz... This is not the America I want representin' my peeps," wrote another.
Such was the onslaught of derision on the site that the person who originally complained about the slurs, a Kristin N., claims only one comment in the first hundred posted actually criticized the remarks as inappropriate.
A note on the front of the blog reads, "Free Republic does not advocate or condone racism, violence, rebellion, secession, or an overthrow of the government," but one comment on the thread read, "This disgusting display makes me more and more eager for the revolution," while another read, "I never actually wnated [sic] to be a pistol before but..."
After attention from other blogs, the thread was suppressed and placed under review, but before long it was returned to the site intact, and attracted a new series of racial slurs when the original complaint email was posted publicly to the site, with the sender's email address intact.
"The writer has a point," wrote site owner Jim Thompson sarcastically. "We should steer clear of Obama's children. They can't help it if their old man is an American-hating Marxist pig."
"I agree Jim," wrote commenter, by the nickname NoobRep. "The kids didn't pick their commie pinko pansy of a father. Nor did they choose to be put into the spotlight. But Obama/Soetoro is fair game and so is his witch of a wife."
"Poor kids. I hope they're not 'punished with a baby'," wrote another. "Hopefully they won't deal cocaine like the Kenyan."
"DIRTBAGS! All of them. Our [White House] is now a joke to the rest of the world. We have no respect and this is not going to turn out well, mark my words. We will be hit, and much worse than last time. We are now seen as weak and vulnerable. Ghetto and Chicago thugs have taken over."
Only after significant negative attention from a host of left wing political blogs did the maintainers of the Free Republic site place the thread under review for a second time, before finally pulling it.
In the wake of the controversy, some Free Republic posters complained about the vitriol.
One poster by the name of "fullchroma" wrote, "To Jim Thompson: The recent uptick here in racist vitriol, aimed at Barrack, Michelle and their children has made me wonder if I belong. My objection to Obama has nothing to do with skin tone. Is the ugly stereotype of Conservative racism true?"
Another, going by the name of TChris, wrote, "Free Republic is a political discussion forum. It SHOULD be beneath us as a group to stoop to such juvenile tactics as I see increasing here lately. Do we REALLY have to insult Mrs. Obama's appearance like a clique of nasty 14-year-old girls?"
But such opinions were not shared by all. Said Roses of Sharon, "Poor libs .... Too late, the battle has been joined."
One of the Worst Examples of Black on Black Crime Ever--Burr Oak Cemetary Defiled 300 or More Graves Including that of Emmitt Till
The dead they sleep a long, long sleep;When this story first broke, I kept holding my breath with the hope that the fools responsible for desecrating the graves at Burr Oak cemetery outside of Chicago were not black. My hopes were buttressed because the criminally accused had not done "the perp walk."
The dead they rest, and their rest is deep;
The dead have peace, but the living weep.
Alas, it seems that the ign'ts--and ign't is a complement--who dug up and defiled 300 or more graves containing some of our most honorable and respectable negro dead, are themselves Black.
Is this not one of the worst examples of black on black crime which you have ever been witness to?
Come Sunday, we are going to initiate the discommendation of these disgusting, foul, knuckle dragging, disgusting, hoogah moogah, evil, maladjusted, worthy of anal rape with a hot curling iron, monstrous examples of humankind.
We are truly a society too sick to survive.
Emmett Till's casket found rusting in shack
DON BABWIN, Associated Press Writer
Associated Press Writer
Illinois (AP) -- Four former employees accused of digging up bodies and reselling plots at a historic black cemetery near Chicago made about $300,000 in a scheme believed to have stretched back at least four years, authorities said Friday.
Three gravediggers and a manager at the Burr Oak Cemetery are accused of unearthing hundreds of corpses and either dumping some in a weeded, desolate area near the cemetery or double-stacking others in graves. The cemetery is the burial place of civil rights-era lynching victim Emmett Till and blues singers Willie Dixon and Dinah Washington.
While Till's grave site was not disturbed, Sheriff Tom Dart said investigators found his original iconic glass-topped casket rusting in a shack at the cemetery.
The 14-year-old Chicagoan was killed in 1955 after reportedly whistling at a white woman during a visit to his uncle's house in Mississippi. Nearly 100,000 people visited the casket during a four-day public viewing in Chicago, and images of his battered body helped spark the civil rights movement.
When Till was exhumed in 2005 during an investigation of his death, he was reburied in a new casket. The original casket was supposed to be kept for a planned memorial to Till.
Thousands of families have come to the cemetery since Thursday looking for answers about their loved ones, authorities said. Hundreds of relatives, some clutching maps of the 150-acre (60-hectare) site, were seen at the cemetery Friday.
Dart said officials have assisted the families in locating relatives' plots, and family members have reported at least 30 cases of disturbed graves and missing headstones.
The Illinois official who regulates cemeteries said Friday that the process of revoking the cemetery's license has been started.
The suspects, all of whom are black have been charged with one count of dismembering a human body, a felony.
Bond was set at $250,000 for the cemetery's manager, and at $200,000 for the other three.
Authorities said the cemetery manager also pocketed donations she elicited for a Till memorial museum. She has not been charged in connection with those allegations. Court documents show she was fired from the cemetery in late May amid allegations of financial wrongdoing.
Friday, July 10, 2009
My Friday Afternoon Happiness Pill--This is What Happens When Your Grandfather Discovers These Internets
White folks can keep Elvis all to themselves (although I must admit that he was an amazing performer).
Every Friday I am going to post a new youtube discovery and personal happiness pill to get us through the weekend and to celebrate the end of the week. And given that this was a heavy week with MJ's homegoing--and I am really enjoying the range of discussion pro/con on Michael's legacy--some levity seems appropriate.
Remember, Michael Jackson belongs to everybody! I think I am going to get a t-shirt made with that slogan emblazoned upon it. Actually, I would describe Michael's relationship in the following terms: while he belonged to "us," he was on loan to the world.
Because he is such a prolific and lucid thinker, Mike from Brooklyn also has some insights into Barack Obama's racial ancestry, genetics, and the politics of race in America:
Question: is this what happens when our elders get access to the internet? Are you afraid to get your parents or grandparents online because of the havoc they may wreak? And how would you respond if you discovered moms or pops had put a video on YouTube?
Thursday, July 9, 2009
Damn! And double-damn!
It seems that one more person has come to bury Michael Jackson rather than to praise him. The battle over Michael's legacy continues.
Courtesy of Alisa Valdes-Rodriguez on Alternet:
I have watched the fawning nonstop media coverage of the death of Michael Jackson with skepticism this past week.
Yes, premature death is tragic. Upon that we can (mostly) all agree.
What I cannot agree with, however, are the repeated claims that Jackson: was a musical genius; broke down racial barriers; was a brilliant singer; was a great dancer; changed American culture.
The book African American Education by Walter Recharde Allen details the rampant double-standards applied by the US school system to black children. Too many teachers still hold negative stereotypes about blacks. When a white kid says two-plus-two is four, the teachers nod and move on; when the black kid does the same, they stare in disbelief, express surprise, or praise the student for high achievement. In other words, lowered expectations lead teachers to praise mediocrity in black students.
I believe something similar is going on in the US media regarding Michael Jackson.
As a musician (I hold a bachelor's degree in performance from Berklee College of Music) and as a music critic and historian, I can tell you with a clear conscience that Michael Jackson's musical abilities, placed upon the spectrum of human accomplishments in this field, are mediocre at best.
Yet everyone from the London Telegraph to People magazine have gone to great lengths to tell us Jackson was a literal "genius".
Jackson, whose vocal range was limited and who sang often insipid pop songs that rarely ventured outside of a basic pentatonic scale, was no musical genius.
Cannonball Adderley was a musical genius. John Coltrane was a musical genius. Charles Ives was a musical genius. J.S. Bach was a musical genius. Hector Berlioz was a musical genius. These were human beings gifted with uncommon genius in musical understanding, interpretation and expression.
To compare Michael Jackson's twitchy, strange pop singing to the accomplishments of people such as Pyotr Tchaikovsky or Charlie Parker is downright insulting; it is rather like saying the guy who designed the Tilt-a-Whirl is on par as an architect with I.M. Pei.
That the American press have been so quick to jump on the Jackson-as-genius bandwagon speaks to the dismal state of excellence in our culture. As more and more artistic and journalistic decisions have been left to MBAs and accountants, quality has fallen by the wayside. True musical variety has died with the radio monopolies of Clear Channel and others, as we are force-fed the same Lady Ga-Ga tune until we Lady Ga-GAG. Our standards, in other words, have sunk to new lows, and not just in music.
If Jackson is a musical genius, one realizes, it is not such a great leap to imagine Sarah Palin as presidential material, Lauren Weisberger as a great author, or Lou Dobbs as a substitute for real reporting and news. The Simpsons lampooned the growing cult of idiocy and mediocrity in our nation in the character of Homer; sadly, hardly anyone noticed because they were too busy relating to him.
As a culture, it appears that we have accepted the lowest common denominator as the highest we ought to aim. We are told Michael Jackson is the King of Pop, when in reality he is the Clown Monarch of Mediocrity.
Again and again we have heard the Jackson also "broke down racial barriers". ABC News told us he was the first black artist to do so. This is as nonsensical as the claim that he was a genius, for several reasons.
First, Jackson was hardly the first black person to find popularity in American pop music. Louis Armstrong, Cab Calloway, Billie Holiday, Ella Fitzgerald, Charlie Parker, Fats Domino, Coleman Hawkins, Miles Davis - the list of those who came before is seemingly endless to anyone whose sense of US musical history goes back further than the 1970s.
Second, Jackson worked very hard not to be black. He hated being black. His self-hatred was deep and public. To somehow now consider him as being some sort of racial trailblazer is ridiculous and incomprehensible; it also shows that people see what they need to see, rather than what is there.
Did white people like Jackson's music? Sure. But they came to love him not in the respectful way audiences came to love, say, a young Wynton Marsalis, which is to say observing his unmistakable genius in stunned silence. Rather, it was to say "lookie there, what a cute negro child singin' and dancin'" as the very young Jackson sang age-inappropriate love songs in a shuck-and-jive style that brought to mind vaudeville blackface.
This type of admiration is nothing new in a nation that has a long tradition of white folks watching black folks perform mysterious and embarrassing works for their entertainment. The young Jackson was, to most white Americans, like a singing version of Buckwheat from Our Gang.
Jackson hardly embraced his race. Quite the contrary. If he sought to break down racial barriers, it was only to have surgery to make himself white. When it came time for children, he found a sperm donor who was white, because he knew that no matter how much surgery he had, his DNA would still make black babies - and he hated black people. Both his marriages were to white women.
Jackson's dancing, so often heralded as brilliant, was not so. He was an unusual dancer, yes. But not a brilliant one. A brilliant dancer is someone like Mikhail Barishnakov, Alvin Ailey, or Gregory Hines. Jackson was a weird dancer, and a good dancer, but he simply wasn't great.
We Americans have become so accustomed to inappropriate superlatives that we scarcely notice when they are applied to the middling.
As for Jackson changing American culture? Maybe he helped justify our increasing voyeurism and obsession with celebrity by being so publicly and tragically screwed up.
But did he singlehandedly change music? Nope. The uptempo songs are fun to dance to, but the slow songs are excruciatingly insipid. I can't see any of it mattering ten years from now or, for that matter, ten years ago. We knew this a month ago; that's why no one was listening to his music. Now, we pretend we care about his music when the truth is more about the selfish communal realization of mortality among Generation X, who in Jackson lost their first big star. If he can die, we are thinking, then holy shit, so can we.
This still doesn't make Jackson a genius. It doesn't make Gen Xers geniuses, either. But maybe that's the problem. We were the ones with the hippie parents who told us all that we were great. The truth was, most of us, like most people of any age, weren't great at all; we were average. We just thought we were great. Maybe we're projecting.
Wednesday, July 8, 2009
I’ve done my best to ignore the disingenuous tributes from people and institutions that clearly didn’t give a shit about him when he was alive. But, like a lot of people, I’ve responded by listening to his songs—in my case, songs that normally don’t make it into the rotation.
Two, in particular, stand out. The first is “Heaven Can Wait” from Invincible, his last studio album. The second is “Childhood” from History.
“Heaven Can Wait” proved (along with “Butterflies”) that Jackson could still make brilliant music late into his career, albeit in spurts. “Heaven Can Wait” is ostensibly about how Jackson is so in love that he’d forgo eternal paradise to be with his love on earth. It soon becomes apparent, though, that the song is really about the singer’s own jealousy: he has to be with his “baby girl” because he wouldn’t be able to stand seeing someone else with her. The second verse is somewhat creepy, but very appropriate for a man as thoroughly obsessed with himself as Jackson was.
“Childhood” stands out for a different reason: despite how delusional and sheltered Jackson seemed to be, he was fully aware of his situation. In the ballad, Jackson explicitly echoes the obvious pop psychology the rest of us applied to his life, singing, “It's been my fate to compensate, for the childhood I've never known.” He waxes whimsical about pirates and other such juvenilia in the same whispery voice he used in this bizarre video footage of him singing about Peter Pan. “Childhood” is saccharine and manipulative, but sincere. It’s strange that so many people, myself included, completely ignored this song. It had a video and everything.
The saddest thing about this song isn't Jackson's actual explanation for his "eccentricities" (he didn't get to have a childhood), but that he felt compelled to explain himself at all, that he desperately needed our acceptance.
Tuesday, July 7, 2009
How Long Until Fox News and Bill O'Reilly Introduce Their Racial Hostility Into Michael Jackson's Funeral Service?
These folks are so predictable.
It seems that Bill O'Reilly came to bury Michael Jackson, not to praise him.
I was talking to Zora today during Michael Jackson's funeral and I jokingly observed that Fox News and company are going to somehow find a way to introduce racial invective into their analysis of the event. I thought they would wait at least 24 hours. But alas, I only had to wait 6.
Are black folk so foreign, Other, and by definition unAmerican to the Right-wing in this country that their spokespeople are on 24 hour alert for any opportunity to introduce race where race is (less than) relevant? Hypocritically, while O'Reilly, Limbaugh and others plead for colorblindness and race neutrality in American political and social life--all the while mining a narrative of white male grievance under the guise of "reverse racism"--their bread and butter is the theater of white racial resentment.
Put more simply: O'Reilly and his kin hate Jesse Jackson and Al Sharpton. They paint the duo (and the NAACP and "civil rights establishment") as racial ambulance chasers and "shakedown" artists. Ironically, O'Reilly and company are themselves far worse race baiters. As is well-documented, in the United States since at least the 1960s, bigotry and racial resentment have been the bread and butter of the Right. It is a drug which has fueled their electoral politics, and one to which they show no signs of ending their addiction. And frighteningly, the false populism which is their standing order number 1 and primary strategy does not necessitate a much needed intervention.
I have to ask: Is O'Reilly so addicted to his bile and vitriol that he is rendered incapable of waiting a few obligatory days before beginning his vicious assault on Michael Jackson's memory? Is O'Reilly such a whore for the 24 hour news cycle that he has to pounce on the same day that Michael is remembered fondly and bathed in love and acceptance--emotions that Jackson was all too often deprived of during the 50 years of his much too short life?
I suspect the answers are "yes" and "yes."
Shame on you Mr. O'Reilly.
My Personal Happiness Pill of the Day: Jerry Springer Randomness, the Beauty of Black Gay Love, and a Less Than Pretty Tranny
Hat tip to O Hell Nawl on this one (I love that site. Trust me, if you want to waste an afternoon at work and be brought to near tears click on the "just ignant" link).
Michael's funeral was wonderful if not draining. As I sit here processing the gravitas of MJ's homegoing, this clip from Jerry Springer is a much needed and welcome happiness pill for the day.
Sit back, laugh, and enjoy.
Monday, July 6, 2009
We have beaten up on Palin quite a bit here, and she continues to be comedy gold.
I am working on a piece on Sarah Palin, the New Haven 20, and the myth of meritocracy, but this "explanation" of the logic underlying the resignation of the governess of Alaska demands a quick comment.
To my eyes, what is most entertaining is how Anderson Cooper is visibly stunned by Meg Stapleton's twisted logic--the exchange reminds me of a scientist becoming frustrated while trying to debate the existence of evolution with a creationist, a non-starter because their respective truths are grounded in such utterly different realities.
But, one has to appreciate a friend who is ready to ride or die in defense of Palin's decision making process.
One must ask: Is Palin's resignation political genius or political suicide? And what is more likely? Sarah Palin as Chairperson of the GOP or Sarah Palin as reality tv star?
The latter option is most compelling as she possesses all of the elements for a great Lifetime or TLC show--a protagonist who is amazingly confident yet simultaneously unaware of her own stupidity; baby daddy drama; a MILFish grandma; a secessionist hill billy husband; the moral quandaries brought about by ethics violations and political corruption; and a cliquish group of friends and supporters that are dedicated to enabling Sarah Palin's egomania.
How would you script Sarah Palin's reality tv show? What should it be called?
I have always admired Robert McNamara's intellect and drive. He was an expert manager, a technocrat in the best and worst sense of the word, and a man whose failures and successes were played out upon the public stage. Although some would find the self-reflective turn which McNamara took at the end of his life (where in a book and documentary he gave a big mea culpa for his role in the Vietnam War) to be insincere, I instead took it as heartfelt and honest.
Ultimately, McNamara's lesson, and one we should all heed, is that we should not be trapped by the hubris of "expertise," a lack of empathy for one's adversaries, or be hamstrung in our decision-making by a set of foregone conclusions.
Travel well and rest in peace Mr. McNamara.
Former U.S. Defense Secretary Robert McNamara, a key architect of the U.S. war in Vietnam under presidents John F. Kennedy and Lyndon Johnson, has died at age 93, according to his family. Robert McNamara took a lead role in managing the U.S. military commitment in Vietnam.
McNamara was a member of Kennedy's inner circle during the Cuban Missile Crisis in 1962, when the United States and the Soviet Union stood on the brink of nuclear war.
But he became a public lightning rod for his management of the war in Vietnam, overseeing the U.S. military commitment there as it grew from fewer than 1,000 advisers to more than half a million troops.
Though the increasingly unpopular conflict was sometimes dubbed "McNamara's War," he later said both administrations were "terribly wrong" to have pursued military action beyond 1963.
"External military force cannot reconstruct a failed state, and Vietnam, during much of that period, was a failed state politically," he told CNN in a 1996 interview for the "Cold War" documentary series. "We didn't recognize it as such."
A native of San Francisco, McNamara studied economics at the University of California and earned a master's degree in business from Harvard. He was a staff officer in the Army Air Corps during World War II, when he studied the results of American bombing raids on Germany and Japan in search of ways to improve their accuracy and efficiency. After the war, he joined the Ford Motor Company and became its president in November 1960 -- the first person to lead the company from outside its founding family. A month later, the newly elected Kennedy asked him to become secretary of defense, making him one of the "whiz kids" who joined the young president's administration.
In October 1962, after the discovery of Soviet nuclear missiles in Cuba, McNamara was one of Kennedy's top advisers in the standoff that followed. The United States imposed a naval "quarantine" on Cuba, a Soviet ally, and prepared for possible airstrikes or an invasion. The Soviets withdrew the missiles in exchange for a U.S. guarantee not to invade Cuba, a step that allowed Soviet premier Nikita Kruschev to present the pullback as a success to his own people.
In the 2003 documentary "The Fog of War," McNamara told filmmaker Errol Morris that the experience taught American policymakers to "put ourselves inside their skin and look at us through their eyes." But he added, "In the end, we lucked out. It was luck that prevented nuclear war."
McNamara is credited with using the management techniques he mastered as a corporate executive to streamline the Pentagon, computerizing and smoothing out much of the U.S. military's vast purchasing and personnel system. And in Vietnam, he attempted to use those techniques to measure the progress of the war.
Metrics such as use of "body counts" and scientific solutions such as using the herbicide Agent Orange to defoliate jungles in which communist guerrillas hid became trademarks of the conflict. McNamara made several trips to South Vietnam to study the situation firsthand.
He, Johnson and other U.S. officials portrayed the war as a necessary battle in the Cold War, a proxy struggle to prevent communism from taking control of all of Southeast Asia. But while they saw the conflict as another front in the standoff between the United States and the Soviet Union, which backed communist North Vietnam, McNamara acknowledged later that they underestimated Vietnamese nationalism and opposition to the U.S.-backed government in Saigon.
"The conflict within South Vietnam itself had all of the characteristics of a civil war, and we didn't look upon it as largely a civil war, and we weren't measuring our progress as one would have in what was largely a civil war," he told CNN.
Casualties mounted, as did domestic opposition to the war. In 1965, a Quaker anti-war protester, Norman Morrison, set himself on fire outside McNamara's office window. In 1967, tens of thousands of demonstrators marched on the Pentagon, which was ringed with troops.
By November 1967, McNamara told Johnson that there was "no reasonable way" to end the war quickly, and that the United States needed to reduce its forces in Vietnam and turn the fighting over to the American-backed government in Saigon. By the end of that month, Johnson announced he was replacing McNamara at the Pentagon and moving him to the World Bank. But by March 1968, Johnson had reached virtually the same conclusion as McNamara. He issued a call for peace talks and announced he would not seek re-election.
After leaving the Pentagon in early 1968, McNamara spent 12 years leading the World Bank. He said little publicly about Vietnam until the publication of a 1995 memoir, "In Retrospect.""You don't know what I know about how inflammatory my words can appear," he told Morris. "A lot of people misunderstand the war, misunderstand me. A lot of people think I'm a son of a bitch."
Saturday, July 4, 2009
I could post an obligatory Crispus Attucks documentary, but in celebrating July 4th I have always preferred Good Times' exposition on the first American to die in the Revolutionary War.
Here is a little corrective that should have been included in that episode--but I guess folks don't like to promote the fact that more African Americans fought on the side of the British than the slave holding colonies--I won't tell our secret if you don't. Random thought: wouldn't a movie about Colonel Tye, the runaway slave turned commando/guerrilla leader who terrorized colonists in New Jersey and New York, be great to see?
Part 2--I love me some David Walker
Remember, knowledge is half the battle. Now, eat, drink, and be merry!
Friday, July 3, 2009
Everything old is new again. I have always loved Alien Nation--both the movie and television series.
I have some mixed feelings as well...that critical part of my Virgo personality that I cannot get past: for example, the trope of the Other as alien is well past tired, and the way that slaves are depicted as having little agency in Alien Nation has always troubled me. But in total, Alien Nation was great, entertaining, and challenging television fare (random factoid: I am teaching a course next year on the politics of science fiction television and film. Alien Nation is most certainly getting its own week because we slightly older ghetto nerds do have an obligation to school the youngsters).
Hopefully, this rebooted series will find a home amongst those of us that are still mourning the departure of our beloved Battlestar Galactica.
Sci Fi is developing a new take on "Alien Nation," the 1988 feature that previously spawned a spinoff series on Fox.
"Angel" alum Tim Minear -- no stranger to sci-fi tales, having worked on "The X-Files," "Firefly" and "Strange World" -- is penning the fresh take on the franchise. Fox 21, the alternative production arm of 20th Century Fox TV, will produce.
"Alien Nation" centers on the partnership between a veteran cop and his alien detective partner, set against the larger tale of alien "newcomers" who move to Earth and attempt to assimilate into society.
Fox 21 topper Chris Carlisle said he believed "Alien Nation" could rep the next franchise revival for Sci Fi, which found huge success in dusting off "Battlestar Galactica" and reworking it for today's auds. Carlisle said "Alien Nation" works both as a sci-fi piece and a procedural drama.
"It's absolute perfect timing for this type of show," Carlisle said. "They're looking for more grounded sci-fi and close-ended episodes, and at the heart of 'Alien Nation,' it's a cop movie. It's grounded. And it has a tremendous amount of dramatic possibilities and humor."
Sci Fi is also looking to broaden its footprint, as it preps to rebrand itself as "Syfy" next week.
"It's very much in keeping with what we've been looking to do -- find themes that are more than just hard sci-fi, something that feels contemporary and relevant and invites a broad audience in," said Sci Fi original programming exec VP Mark Stern.
The new "Alien Nation" would include a mythology that evolves over time and will also touch on some of the issues of the day, such as the immigrant experience and how society integrates an incoming culture.
Minear said he's looking forward to incorporating a mix of all the different kinds of series he's written in the past.
"It's genre mixed with procedural mixed with funny and mixed with big, giant scary," Minear said. "I love serialized stuff, but this is also a cop franchise. That 'Starsky and Hutch'/'Lethal Weapon' buddy cop comedy is absent from TV right now."
Minear is currently busy outlining the "Alien Nation" script and mapping out the project's mythology. The new "Alien Nation" will likely take place in the Pacific Northwest, and will take place about 20 years after the first ship of aliens - who have been banished as slaves - crash lands into Earth.
By the time the show begins, some time in the 2020s, the alien population has multiplied from a few thousand to 3.5 million. And much of the "newcomers" live their own segregated existence, in what Minear compares to the North African ghettos in France.
"You can take (the original 'Alien Nation') a step forward and really do a show that encompasses the clash of civilizations, and the idea of a ghettoized minority," he said. "You can touch on racism, terrorism, assimilation, immigration. And there's room for satire."
The original film, which took place in 1991, was helmed by Graham Baker and written by Rockne S. O'Bannon (with an uncredited revise by James Cameron). Mandy Patinkin and James Caan starred as alien cop Sam Francisco and his reluctant human partner, respectively; Terence Stamp also starred.
In 1989, 20th Century Fox TV and Kenneth Johnson Prods. adapted the movie for Fox, with Eric Pierpoint and Gary Graham in the lead roles. The show lasted just a single season but spawned a series of books.
The TV show was revived in 1994 as a series of telepics for Fox, starting with "Alien Nation: Dark Horizon." Five TV movies were ultimately aired; the last, "Alien Nation: The Udara Legacy," ran in 1997.
Stern said Sci Fi had been looking at "Alien Nation" as a potential franchise for several years and had talked to several writers about ways to update the concept for modern auds.
"The challenge is how do you do it in a way that will reinvent it without it feeling like a derivative rehash," he said. "We sat down with Tim, who is someone we'd been looking to work with for quite a while, and his approach felt like it wouldn't be a traditional adaptation. We got excited."
Minear said he'd been anxious to develop for cable - and in particular, Sci Fi. The success of "Battlestar" fueled his interest in reviving "Alien Nation," he said.
"Twenty years (after 'Alien Nation'), TV as a whole has evolved, and you can explore issues and go deeper with subject matter than you ever could before," Minear said. "On cable, you can play with ambiguity. This is a place I want to be."
Thursday, July 2, 2009
Look at the Negro in the Window! Black in America Part 2, Black Men and Women Issues, and Single Mothers Adopting
CNN is ramping up for its second installment in the Black in America series (to air July 22-23). As CNN builds its momentum towards a second "expose" on the problems of Black America, the network has featured the obligatory stories on the politics of black hair; what does it mean to be African in Black America; an excellent piece on the urban farming movement; and the obligatory rediscovering our past aka our personal version of Roots story.
Yes, as I did last year, we will be featuring our very own White in America series as a parallel and complement to CNN's zoo-like, freak show, pathology parade on black folks.
As an opening volley, here is CNN's latest installment on the problem that is Black America (yes, that phrasing is intentional). And of course these are problems endemic and unique to the Black community: only black professional men want to be players; we are the only racial group plagued by colorism; and stories of heartbreak and loss are unique to black folks...it must be our blues sensibility.
Random thought that I should probably keep to myself lest we start a black man/black woman gender battle royal--I didn't know that black professional men had it so easy! I guess all the professional brothers I know who can't get any play from the sisters are doing something really really wrong--oh well, I have never been very good at self-censoring.
The full story "Single Black Women Choosing to Adopt" is found here. Some choice excerpts:
"Zoey was going to be born to a single black mother anyway," Fleming says. "At least she's being raised by a single black parent who was ready financially and emotionally to take care of her."
Yet there are some single African-American women who are not emotionally ready to adopt an African-American child who is too dark, some adoption agency officials say.
Fair-skinned or biracial children stand a better chance of being adopted by single black women than darker-skinned children, some adoption officials say.
"They'll say, 'I want a baby to look like a Snickers bar, not dark chocolate,' " Caldwell, founder of Lifetime Adoption, says about some prospective parents.
"I had a family who turned a baby down because it was too dark," she says. "They said the baby wouldn't look good in family photographs."
The African-American men she dated, however, didn't want to marry, she says. She dated African-American professionals: engineers, attorneys and managers. But there were so many eligible African-American women, and they still wanted to play, she says.
Time was running out for her. At 37 years old, Duren had earned an MBA degree, a six-figure income and had traveled widely. But she couldn't find the right man to raise a family.
One man she thought she would marry broke off their relationship because he said he wasn't ready to be a father. Then he had a child out of wedlock with another woman, she says.
"He broke my heart," Duren says.
The persistent heartache ate away at her.
"I was struggling," Duren says. "I prayed: 'You know Lord, I worked so hard. I have my integrity, morals -- how did this happen?' ''
Tuesday, June 30, 2009
Hurricane Chris Raps in the Louisiana House of Representatives and in Doing So Justifies the End of Reconstruction
I am rendered speechless once more.
Question one: is this an example of what some have called "the black image in the white mind" come true? Is Hurricane's performance an act of racial projection that validates D. W. Griffith's wicked lies about African American self-rule during Reconstruction?
Question two: given the many celebrity deaths this past week, am I alone in wishing that hip hop had died a glorious death a decade or so ago so that she would be spared the indignity of a slow, painful decline?